St. Louis

Alternating green & white threads swirl out from a large central red rose cane over a turquoise globe.This weight has no signature cane but bears an etched St. Louis logo on the polished, concave base. It is also script-signed Saint Louis 1992 and numbered 41/300. (Original certificate)  ..

White, claret & green rods with circles of stardust canes surrounding corrugated blue & red tubes form a central cluster, enclosed by a cinquefoil garland of alternating pink, blue & white complex canes on a white upset muslin ground. 4 of the loops in the garland contain silhouette canes: a horse, ..

9 rows of complex millefiori canes with a yellow-lined centre tube and red/white stars within a band of white-edged red C-canes make up this neatly-laid carpet ground.  Signed in the 7th row with an SL1992 date cane.  Polished, concave base inscribed with the edition size and number. (Incl..

One of a series of 6 medium-size weights issued in 1992 depicting various types of fruit - including cherries, a peach and pear -  although none of these motifs appear in Gérard Ingold’s book: “The Art of the Paperweight” or in the 1992 St. Louis catalogue.    A bunch of red currants - along with 3 ..

A crystal dome decorated with engraved stems and leaves and 7 complex millefiori canes. Signed with an acid-etched St Louis Crystal France stamp on the polished, concave base...

Circlets of red-centred green/white cog canes filled with pink, white & yellow florets are spaced across a carpet of blue & red-centred star canes over an opaque white ground.A pink/white SL1991 signature/date cane is set near the perimeter (6 o’clock in the main image). The edition size and number ..

A single lilac & white striped geranium in clear crystal over a 16-point star-cut. The 5 petals are set around a pink & white SL1991 signature/date cane and the flower is borne on a straight stem with 2 dark-green, pointed leaves issuing from the base.The polished, concave base is surrounded by a ..

A medium-size weight from the Floralies series issued in 1991, although none are illustrated in Gérard Ingold’s book “The Art of the Paperweight”. The flower’s 5 petals - made of 3 or 4 fine, mauve filigree threads - are recessed in the domed, opaque white cushion. The flower is borne on a green ste..

This attractive design, executed in pink, blue & white millefiori canes with a hint of pistachio, rightly deserves the name “Persian”; the diamond-shaped pattern is reminiscent of classical oriental motifs.  The design rests on a bed of the same blue-lined pistachio cog canes, which separat..

8 rows of “C” canes - blue on the outside, white inside - with serrated edges are arranged over an opaque white cushion.  The final row of canes is drawn underneath the cushion to form a basket.The arrangement is centred by a blue/white/red SL1990 signature/date cane.  Polished concave base. Include..

Mottled pale-blue & white flowers - some about to unfurl, the others in full bloom - plus 2 tightly closed buds, all borne on brown stems, are set against a backdrop of variegated bluish-green lanceolate leaves on an opaque pistachio ground.In the centre of the polished concave base is a yellow, wh..

A floral arrangement with 2 sprays of pink flowers, a couple of single, deeper-pink flowers in full bloom plus 2 buds, set against silvery, yellowish-green foliage over a turquoise ground.An SL1990 signature/date cane is embedded on the underside of the colour ground. The number and edition size is ..